{"id":1360,"date":"2025-06-02T10:05:23","date_gmt":"2025-06-02T10:05:23","guid":{"rendered":"https:\/\/munarecords.nz\/?page_id=1360"},"modified":"2025-06-03T10:07:27","modified_gmt":"2025-06-03T10:07:27","slug":"music-box","status":"publish","type":"page","link":"https:\/\/munarecords.nz\/index.php\/music-box\/","title":{"rendered":"MUSIC BOX"},"content":{"rendered":"\n
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2020 MUSIC BOX<\/h2>\n\n\n\n
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Revolutionary Arts Ensemble collected a wide variety of music boxes and re-interpreted each tune into different genres of song. Two concerts were performed, one at the Hawke’s Bay Arts Festival, and the other at the newly opened Spaceship venue in Hastings. Both shows were an immersive multimedia experience of visual and aural stimulation.<\/p>\n<\/div>\n\n\n\n

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Personnel:\u2028<\/strong>
Anton Wuts \u2013 Saxophones\/Flute\/Keys\/Vocals\/Music Transcription.\u2028
Will Darbyshire – Trumpet\/Vocals.\u2028
Vinnie Beaumont \u2013 Electric Guitar\/505 Drum Machine.\u2028
Adrian Thornton \u2013 Electric Bass\/Mini Organ\/Stop Motion Animations.\u2028
William Devine \u2013 Organ\/Synths\/Samples.\u2028
Max Parkes \u2013 Drums\/Percussion.\u2028
Joe Dobson \u2013 Drums\/Percussion.\u2028
Greg Sims – Visual Projections.\u2028
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-Extra performers-\u2028<\/strong>
Fane Flaws – Guitar
Alicia Hunt – Burlesque.\u2028
Stella Grace – Dancer\u2028.
Rosheen FitzGerald – Burlesque\u2028.
Joseph Disrose – Baritone Saxophone.
\u2028Nate Simes – Trumpet.
\u2028Christopher Wilson – Trumpet.<\/em><\/p>\n\n\n\n

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Hawkes Bay Arts Festival listing.<\/em><\/p>\n\n\n\n

Not since Pandora\u2019s Box was opened, will you have heard such a bouffage of cacophony pour forth from this succulent septet of senescent soloists. Too much? Not even close. In order to make their journey to Mr Alighiere\u2019s mystical wonderland infinitely more \u201cdo-able:, music was often added in the form of a small cylindrical rotating cactus. The Revolutionary Arts Ensemble has a particular fetish for the rotary, so it would seem perfect that our first arts festival show reflects this.\u2028Come along and be mesmerised, sanctified, terrified, titillated, nostalgicated, thwarted and sorted! In every tune a guarenteed happy ending. Drums, bass, guitar, brass, woodwind, keyboards and drums. In addition: animations, puppets, grinning, tomfoolery and tea towels. Allegro, Andante and the often underatted Largo. As the women\u2019s great uncle said: \u201cI don\u2019t know much about art, but I\u2019m a qualified accountant!\u201d Have a shower and get ready to shake your Mother\u2019s inheritance. Don\u2019t. Miss. This. Show. Sharon.<\/p>\n\n\n\n

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Gig review:
Sunday 18 October 2020, Music Box, Hawkes Bay Arts Festival, by Rosheen FitzGerald<\/em>.<\/p>\n\n\n\n

Jamie opens with the by now familiar refrain that in the event of an earthquake we should sit back and enjoy the ride, but if things get gnarly be sure to protect our heads and necks. Wise advice also applicable to the seismic sensory experience that is a Revolutionary Arts Ensemble show. Seven of the bay\u2019s greatest creative musical minds unite to produce immersive, diverse, singular happenings, laden with thought, attention to aesthetic, and a generous sprinkling of anarchic humour. Founded under the principles of the Russian avant garde, to dismantle art as we know it and remould it outside its own boundaries; feats as ambitiously experimental as what Revolutionary Arts create run the danger of leaving their audience behind, disappearing into the esoteric ether. Happily, they are masters at dropping hooks throughout the work, handrails of familiarity for the unsuspecting observer to grasp at and cling to while the band cheerfully deconstruct and crumble around their ears.<\/p>\n\n\n\n

The premise of tonight\u2019s performance is the humble music box. The boys have built up quite a collection, each with a signature tune used as the jumping off point for their numbers. Intimately recognisable melodies rendered in plinky plonky chimes act as an inspiration for pastiche, even before they have their tempos messed with and their tunes picked up and distorted by the band. In their hands, Beethoven\u2019s F\u00fcr Elise is reimagined as an intense kaleidoscope of rock out sound; Teddy Bear\u2019s Picnic rendered in deranged electro; a Star Wars medley becomes funked up lounge music; My Little Pony turned up to eleven with the addition of Fane Flaws\u2019 grinding guitar; Send in the Clowns gloriously inarticulately roared by Anton Wuts; Love Story made a spaghetti western soundtrack augmented by masculine whoops and hollers; and a surprisingly straight show band version of The Impossible Dream held tight by Will Darbyshire’s velvety crooning. The Ensemble\u2019s commitment to aural satiation is palpable. What other band has two drum kits, a beefed up brass section, synths and heavy guitars, bird calls and a wind up monkey banging a drum and Anton Wuts bashing the keys like they owe him money. Passion and glee run through the music. The boys are clearly having a good time and their ebullience is infectious as they fill the room with joyful noise.<\/p>\n\n\n\n

As awe inspiring as it is, the music is only one facet to a Revolutionary Arts gig. The set is impeccable as ever. Flanked by larger than life sized ying yang skeletons and paper umbrellas that inflate and deflate like jellyfish meandering through the ocean; a carpeted seventies style lounge houses the music boxes as well as nods to their previous shows. We Travel the Space Ways\u2019 space suited skeleton rockets overhead; Monster Music\u2019s Godzilla skulks the set, and Garden of Earthly Delights\u2019 fan streamers are back. All Easter eggs for the initiated disciples of this motley crew\u2019s strange creations. Twin projectors reflect visuals thoughtfully articulated and in tune with what\u2019s going on on the stage. Numbers are announced with stop motions of refrigerator alphabet letters and legos and stencils, interspersed with images of riots, ecstatic religious zealotry, vintage city scapes, seventies cartoons and the music boxes themselves. Guest performers add an element of pageantry, bringing the music box characters to life. Amy Dobson totters on stage in geisha regalia to lend her wonderfully operatic voice in a sombre lament. A ballet dancer pops out of a gigantic clam shell to stiffly turn in circles before donning a Bacchanalian mask and getting weird. Queen of burlesque, Cherry Boomb pops out of a box as a sassy clown before changing it up as a gold tassled flapper. We\u2019ve come to expect such a feast for eyes and ears and heart and soul from the Revolutionary Arts Ensemble. And yet with every feat they managed to exceed expectations, push boundaries further and have more fun. One can\u2019t help but wonder what they will do next.<\/p>\n\n\n\n

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